For the past week , the tiddler ofCartoon connection’sCraig of the Creekhave beenbuilding up toandteetering on the verge of warwith one another as part of the third time of year ’s “ enchant the Flag ” arc . Despite all the obvious warning signs , there was small Craig to do to bar his fellow Creek Kids from being come through over by King Xavier ’s promise of free confect for in exchange for total control of the Creek .
As the Creek ’s balance of power shifted under Xavier ’s draconian rule , Craig directly began to feel as if his personal connection to the place and his friend was being endangered , particularly after Xavier found a way to get Craig grounded and stuck at plate . As each episode within the “ appropriate the Flag ” arc has discover different ways of textually showing how Xavier ’s takeover the Creek set off a real personal crisis for Craig , the arc ’s music has also stood out as an important part of Craig of the Creek ’s storytelling .
Like the original , thenew arrangementof Craig of the Creek ’s ending theme fromseries composer Jeff Rosenstockis much more relaxed and low - tonality than the high - Department of Energy , pop - punk opener . But where the original has a more relaxed and contented vibration to it , the new system ’s been decidedly more boding and hopeless , something Rosenstock tell io9 via e - mail service was his end .
Craig of the Creek’s King Xavier.Image: Cartoon Network
“ The brat in this arc feel existent , so I wanted this arrangement to feel empty because fundamentally the soul is being sucked out of the brook , ” Rosenstock said . “ I strip everything but vocals out at first ‘ cause I was picturing an empty creek , and it was a lilliputian too eldritch ( and not very safe ) , so I brought back in this one timpani from the original version and summate a tense synth playing some minimal dark tones . It was coolheaded to see that it scar some of the net . ”
Though the “ Capture The Flag ” episode are n’t the first metre Craig of the Creek ’s puta extra spin on its end theme , Rosenstock explain how the series strait has grown and evolve organically as more case like the 10 Speeds — the local Kyd ’ biker ‘ gang ’ of trick cyclists — and the Tea Timers — the rich kid of the Creek with a passion for fancy afternoon teas — becoming part of the story .
“ As the plotlines have grow more intricate as more of these kids interact with each other , I attempt to take advantage of the freshness that add to the show and see where mixing these different factor up will take me , ” Rosenstock described . “ I wanna ride those moving ridge , acquire alongside the show and keep trying to improve my euphony so I do n’t mess it all up at the end of the procedure ! And I need to do that without losing the mental lexicon of ska and punk that has always been at the heart since the pilot — even if that has n’t historically lent itself to cinematic scores — because it adds a fun energy to the heavy moments . ”
As much of an exciting experience as score “ Capture the Flag ” was for Rosenstock , he pointed out that it was it was still very much a taxing creative physical process with the sort of roadblocks all creative person cease up facing when they ’re seek to bring something to biography . Annoying as those hurdles can be , Rosenstock order , finding that stark audio makes it all worthwhile .
“ Of course , this all come with the common degree of frustration , work over myself up for not finding the right notes , arrangements or pacing , not being able to play something salutary enough , fall down , getting back up again , etc etc , ” Rosenstock recalled . “ That ’s just part of it though . It ’s a quest to find the right sounds and it ’s super satisfying when it feel like everything melds together . ”
Craig of the Creek ’s first two seasons are now streaming on HBO Max .
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